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[广告] 大清乾隆年制款墨彩人物故赏瓶

大清乾隆年制款墨彩人物故赏瓶
墨彩瓷器釉上彩的一种。是以艳黑为主,兼用矾红、本金等彩料在白釉面上描绘图案,经彩炉烘烤而成。墨彩为五彩、珐琅彩、粉彩瓷器中常见色彩之一。
A type of enamel color of ink-colored porcelain. It is mainly made of bright black and painted on white glaze with alum, principal and other colors. It is baked in a color oven. Ink color is one of the common colors in five-color, enamel and pastel porcelain.
彩瓷的烧制方法是在烧成白中泛青的瓷釉上绘画上水墨彩,然后经低 温烧成。墨彩以水墨彩绘为主,并加以部分粉彩,如蓝粉、淡黄等彩色、但在每件器物画面上所施加的粉彩面并不大,仅起到点缀的作用,这种画面处理方法以雍正时期最为突出。而现代墨彩瓷中景德傅家窑的器物仍然保持着这个传统
The firing method of colored porcelain is to paint on the glaze with ink and wash, then firing at low temperature. Ink painting is mainly water and ink painting, and some pastels are added, such as blue powder, light yellow and other colors, but the pastel surface applied on the screen of each object is not large, only plays the role of embellishment. This kind of image processing method is most prominent in Yongzheng period. The artifacts of Jingde Fujia kiln in modern ink-colored porcelain still keep this tradition.
墨彩始见于清朝康熙中期,流行于雍正、乾隆朝并一直延续直清末、民国时期。康熙时的墨彩色泽浓重,彩釉配制纯净,上涂一层玻璃白,烧就的墨彩漆黑莹亮;有以绿彩为底者,更为莹亮浓郁。其制品白釉地多微闪青色,纹饰多以花鸟为主,画风深受同时代画家的影响。到雍正、乾隆年间。墨彩多用国产料仿烧水墨珐琅效果的瓷器,犹如白纸作画,浓淡相宜,洁净素雅。清末、民国时期亦多有仿造,但不及康、雍、乾时制品精美。Ink color began in the mid-Kangxi period of the Qing Dynasty and was popular in Yongzheng and Qianlong dynasties, and lasted until the end of the Qing Dynasty and the Republic of China. In Kangxi, the ink color was strong, the glaze was pure, and the glaze was coated with a layer of glass white. The burnt ink color was black and bright, and the green color was the base, which was more bright and rich. The white glaze of its products is mostly glittering blue, and the decoration is mostly flowers and birds. The painting style is deeply influenced by contemporary painters. To Yongzheng and Qianlong years. Ink color mostly uses domestic materials to imitate the enamel effect of water and ink. It is like white paper painting, which is clean and elegant. At the end of the Qing Dynasty and the Republic of China, there were many imitations, but they were not as exquisite as those of Kang, Yong and Qian Dynasty.
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